{"id":711,"date":"2019-10-12T21:29:00","date_gmt":"2019-10-12T21:29:00","guid":{"rendered":"https:\/\/asfd-divadlo.sk\/?p=711"},"modified":"2021-01-07T09:42:05","modified_gmt":"2021-01-07T09:42:05","slug":"analyzing-opera-and-dance-performance","status":"publish","type":"post","link":"https:\/\/asfd-divadlo.sk\/en\/vzdelavacie-aktivity\/analyzing-opera-and-dance-performance\/","title":{"rendered":"Analyzing Opera and Dance Performance"},"content":{"rendered":"
\n
\n

Workshop viedli:<\/h2>\n\n\n\n

Marcin Bogucki, Ph.D.<\/h3>\n\n\n\n

Vy\u0161tudoval kult\u00farne \u0161t\u00fadi\u00e1, dejiny hudby a muzikol\u00f3giu. Pracuje na Var\u0161avskej univerzite. Vo svojom v\u00fdskume sa zameriava na s\u00fa\u010dasn\u00e9 inscenovanie opery. \u010clenom Polish Society for Theatre Research a od roku 2016 je aj tajomn\u00edkom organiz\u00e1cie.<\/p>\n\n\n\n

Stanislaw Godlewski<\/h3>\n\n\n\n

Divadeln\u00fd kritik, jeho pr\u00e1ce s\u00fa pravidelne uverej\u0148ovan\u00e9 vo v\u00fdznamn\u00fdch po\u013esk\u00fdch \u010dasopisoch (Didaskalia, Dialog, at\u010f.). Moment\u00e1lne je doktorandom na univerzite Adama Mickiewicza v Poznani, vo svojej dizerta\u010dnej pr\u00e1ci sa venuje r\u00f4znym postupom v dejin\u00e1ch po\u013eskej divadelnej kritiky. Je \u010dlenom Polish Society for Theatre Research.<\/p>\n<\/div>\n\n\n\n

\n

Cie\u013eom workshopu bolo rozv\u00edja\u0165 analytick\u00e9 met\u00f3dy pri anal\u00fdze inscen\u00e1ci\u00ed, ktor\u00e9 nie s\u00fa zalo\u017een\u00e9 na slove, ale pracuj\u00fa najm\u00e4 s hudbou a pohybom. Pozreli sme si z\u00e1znamy a diskutovali o t\u00fdchto predstaveniach:<\/p>\n\n\n\n

opera:<\/strong> Luigi Cherubini: M\u00e9dea<\/em>, r\u00e9\u017eia Krzysztof Warlikowski
tane\u010dn\u00e9 predstavenia:<\/strong>
Iza Szostak: Karmi go<\/em>
Pawel Sakowicz: Masakra <\/em>and Jumpcore<\/em><\/p>\n\n\n\n

Workshop bol ur\u010den\u00fd pre \u0161tudentov V\u0160MU, ako aj pre \u0161irok\u00fa verejnos\u0165.<\/p>\n\n\n\n

Foto: Barbora Girmanov\u00e1<\/p>\n<\/div>\n<\/div>\n\n\n\n