{"id":270,"date":"2021-04-11T00:50:00","date_gmt":"2021-04-11T00:50:00","guid":{"rendered":"http:\/\/asfd-divadlo.sk\/?p=270"},"modified":"2022-01-11T18:16:13","modified_gmt":"2022-01-11T18:16:13","slug":"viewpoints-workshop","status":"publish","type":"post","link":"https:\/\/asfd-divadlo.sk\/en\/vzdelavacie-aktivity\/viewpoints-workshop\/","title":{"rendered":"Viewpoints workshop"},"content":{"rendered":"

Workshop prebiehal od 4. – 11. 6. 2021<\/strong>, ka\u017ed\u00fd de\u0148: od 9:00 do 13:00 v Creative Labyrinth<\/a>, v Bratislave, ka\u017ed\u00fd de\u0148, od 9:00<\/strong> do 13:00<\/strong><\/p>\n\n\n\n

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Viewpoints<\/h2>\n\n\n\n

What can one do when feeling lost on stage? What are those elements which one can rely on in every circumstance? How can one sharpen the mind and senses to the ever-changing present onstage? In this course we are looking for the answers to these and more questions.<\/p>\n\n\n\n

During this one-week-long workshop the participants will be able to study and practice the basics of Viewpoints technique for 4 hours every day. During the training the trainees will find some practical tools to support their improvisation skills.<\/p>\n\n\n\n

Viewpoints technique is part of a philosophy that tries to answer the question: 'what are the core elements of performing'. Choreographer\/dancer Mary Overlie spent more than forty years answering this question and developing her theory. She created a practice where six materials (space, shape, time, emotion, movement, and story) can be researched and trained in order to better understand artistic research. Rooted in post-modernism, the practice is further developed by Anne Bogart, Tina Landau SITI<\/em> Company. Tina Landau SITI<\/em>. Nowadays many theatre artists incorporate this technique into their creative process.<\/p>\n\n\n\n

As a method of actor training, Viewpoints encourages actors to focus less on their characters\u2019 psychology and more on observation and movement. The Viewpoints are used to build a strong ensemble and create dynamic stage moments. It invites and encourages performers to investigate the materials and build vivid conversation with the elements of time and space through playful theatrical research. This way, training the Viewpoints develops flexibility, articulation, strength in movement and allows a group of performers to function together spontaneously and intuitively.<\/p>\n\n\n\n

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This project has been supported using public funds provided by Slovak Arts Council and Nad\u00e1cia mesta Bratislava.<\/p>\n<\/div>\n\n\n\n

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Tutors:<\/h2>\n\n\n\n

Judith Sleddens (NL)<\/h3>\n\n\n\n
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Judith Sleddens is an actress, theatre maker, teacher, voice-over, and the founder of Training Ensemble Nederland<\/em><\/a>. She creates and performs her own work as well as performing with other companies both nationally and internationally. Judith performed in Lampenmakers<\/em><\/a>, a show about PHILIPS (Het Zuidelijk Toneel & Parktheater Eindhoven)<\/em> nd in 2018 her show PUHAHA<\/em>, a performance about celebration, was performed in Amsterdam. She was nominated for the Graduation Prize 2018<\/a> from the Academy for Theater and Dance. Currently Judith is one of the headteachers in acting at Lucia Marthas Institute for Performing Arts<\/em><\/a>. Other than that, she teaches at universities such as ArtEZ muziektheater<\/em>, PACT+ Theater, <\/em>ad Codarts Rotterdam<\/em><\/a>. Judith started with the Suzuki and Viewpoints training in 2010. She trained with SITI Company<\/em><\/a>, Mary Overlie <\/em>and <\/em>SCOT Company<\/em><\/a>, Japan.<\/p>\n\n\n\n

G\u00e1bor Viktor Kozma (HU)<\/h3>\n\n\n\n
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G\u00e1bor Viktor Kozma je herec na vo\u013enej nohe, lektor herectva, \u0161tudent PhD, asistent univerzitn\u00e9ho profesora. Vy\u0161tudoval na univerzite v T\u00eergu-Mure\u0219<\/em> v Rumunsku. V poslednej dobe v r\u00e1mci doktorandsk\u00e9ho \u0161t\u00fadia sk\u00fama v\u00fdcvikov\u00e9 met\u00f3dy psychofyzick\u00fdch akt\u00e9rov. Je \u010dlenom medzin\u00e1rodneho s\u00faboru Suzuki Company of Toga<\/em><\/a>. M\u00e1 \u0161tipendijn\u00fa poz\u00edciu v \u0160tipendijnom programe Ma\u010farskej akad\u00e9mie umen\u00ed 2018 – 2021. Od roku 2019 G\u00e1bor vyu\u010duje ako lektor na univerzite Babes-Bolyai v Cluj-Napoca<\/em> v Rumunsku na katedre divadla a filmu. Vysoko\u0161kolsk\u00fdm asistentom sa stal v roku 2020. Je umeleck\u00fdm \u0161\u00e9fom divadeln\u00e9ho s\u00faboru Chance of the Hunter<\/em><\/a> so s\u00eddlom v Ma\u010farsku. \u010eal\u0161ie inform\u00e1cie n\u00e1jdete na jeho webovej str\u00e1nke: www.gaborviktorkozma.com<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Workshop prebiehal od 4. – 11. 6. 2021, ka\u017ed\u00fd de\u0148: od 9:00 do 13:00 v Creative Labyrinth, v Bratislave, ka\u017ed\u00fd de\u0148, od 9:00 do 13:00 Viewpoints \u010co m\u00f4\u017ee performer \u010di performerka robi\u0165, ke\u010f sa na p\u00f3diu c\u00edti stratene? Na ktor\u00e9 hereck\u00e9 prvky sa m\u00f4\u017ee performer spo\u013eahn\u00fa\u0165 za ka\u017ed\u00fdch okolnost\u00ed? Ako mo\u017eno na javisku zbystri\u0165 myse\u013e […]<\/p>\n

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